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CONNECT: AUTHOR.SHOWRUNNER.CREATOR

SYSTEM READY

Welcome to the terminal of Patrick Somerville.

Type 'help' for available commands or navigate using the menu below.

> ABOUT

cat somerville_bio.txt

Patrick Somerville is an American novelist, screenwriter, and television producer born April 14, 1979. He graduated from Cornell University in 2005 and has since established himself as a unique voice in both literature and television.

As a novelist, Somerville has published acclaimed works including "The Cradle" (2009), "This Bright River" (2012), and the short story collections "Trouble" (2006) and "The Universe in Miniature in Miniature" (2010).

In television, Somerville has created and showrun several critically acclaimed series including HBO Max's "Station Eleven," Netflix's "Maniac," and HBO Max's "Made for Love." He also served as a writer and producer on HBO's "The Leftovers."

In 2022, Somerville launched Tractor Beam, a feature film and television production company with David Eisenberg, with the mission of making content that centers on creatives and empowers them to control the filmmaking process.

"Our mission at Tractor Beam is to help creators get home. Streamers have opened up astounding new opportunities in television and film, for many different voices, but in a time of unprecedented expansion, we wanted to create a company centered around protecting the process, trust, and doing it right."

[HIDDEN FILE] Click to access personal notes...

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> LITERARY WORKS

ls -la /books

Novels

The Cradle (2009)
Published by Little, Brown and Company

A charming little fable about a man dispatched by his pregnant wife to retrieve her stolen childhood cradle before their baby's birth. Weighing in at less than 200 pages, The Cradle was one of 2009's great finds, its brevity turning its potentially sappy premise into something almost mythical.

Named one of the Ten Best Books of 2009 by Janet Maslin of the New York Times.

This Bright River (2012)
Published by Reagan Arthur Books

A novel of crisis and survival, greed and guilt, love and delusion. Ben Hanson is 32 and fresh out of jail. He has moved back into his Uncle Denny's house following the man's death. While living back in his hometown, he discovers an old classmate, Lauren Sheehan, still lives there. Lauren comes with baggage of her own, and together they forge a tenuous relationship.

Short Story Collections

Trouble: Stories (2006)
Published by Vintage

Somerville's debut collection of short stories that established his voice as a writer.

The Universe in Miniature in Miniature (2010)
Published by Featherproof Books

In this genre-busting book, characters, stories, and stray thoughts revolve around the "The Machine of Understanding Other People," the story of a Chicago man who is bequeathed a supernatural helmet that allows him to experience the inner worlds of those around him.

Mind-bending and cracklingly new, Somerville's broadly appealing and uniquely imaginative constructions probe the outer reaches of sympathy, death, and love in a world seen from the inside out.

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> TV & FILM PROJECTS

cat /projects/tv_and_film.log
Station Eleven (2021-2022)
Creator, Executive Producer, Showrunner | HBO Max

A post-apocalyptic saga spanning multiple timelines, telling the stories of survivors of a devastating flu as they attempt to rebuild and reimagine the world anew while holding on to the best of what's been lost.

Based on the novel by Emily St. John Mandel.

Made for Love (2021-2022)
Co-Creator, Executive Producer | HBO Max

A dark comedy following Hazel Green, a woman on the run after 10 years in a suffocating marriage to a tech billionaire who has implanted a monitoring device in her brain.

Maniac (2018)
Creator, Executive Producer | Netflix

Two strangers are drawn to a mysterious pharmaceutical trial that will, they're assured, with no complications or side-effects whatsoever, solve all of their problems, permanently. Things do not go as planned.

Starring Emma Stone and Jonah Hill.

The Leftovers (2015-2017)
Writer, Producer | HBO

Three years after the disappearance of 2% of the global population, a group of people in a small New York community try to continue their lives while coping with the tragedy of the unexplained nature of the event.

Upcoming Projects

The Glass Hotel
Co-Writer, Producer | HBO Max (In Development)

Series adaptation of Emily St. John Mandel's novel about crisis and survival, greed and guilt, love and delusion.

Sea of Tranquility
Co-Writer, Producer | HBO Max (In Development)

Series adaptation of Emily St. John Mandel's novel of art, time, love, and plague that takes the reader from Vancouver Island in 1912 to a dark colony on the moon three hundred years later.

Ursa Major
Writer, Producer | Film (In Development)

A sci-fi thriller set on an earth-like planet, where a mother (Jessica Biel) and daughter (Xochitl Gomez) fight for survival while hiding from a group of relentless hunters.

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> WRITING

more /substack/chaotic_good.txt

Chaotic Good | Substack

Patrick Somerville writes about TV, screenwriting, jetpacks, movies, and being destroyed by one's own children, but slow.

From The Station Eleven Vaults
On The Haunting Beauty of Lighting Tests

"As a person who went from audience normie (someone who had never been on a set) to a showrunner, in his late-thirties, I notice certain things about production that I sometimes think are rote, to the people who've done it all their lives. 'Production' is a state of being, in and of itself, and not necessarily happening where the cameras are; when you're in the center of it, or, as Arthur Leander says in Episode 8 of Station Eleven, you are 'in the shit' — it becomes the only thing that's real. The rest of the world is an idea someone maybe pitched, one time, but it never got made."

Read on Substack
You Can Be TV
It's just going to be hard to explain to my grandkids what it means when I say, "I wrote things, in the olden days, for other people, not me, and it made sense."

"I bow to the impossible chances of being born, but I bow more to the more impossible chances of being born, growing up in this century, and liking your job. The television industry isn't exactly collapsing, but of course that's what I'd say; I don't want it to, but no one's in control. The wreckage of derelict space-stations falling onto farms in Kansas, and every state, is maybe a better description of how it feels, in Hollywood, coming into the fall of 2024."

Read on Substack
Day 146: An Elegy For The Line
Five Things I'll Try To Take With Me From This Miserable, Productive Strike

Reflections on the 2023 WGA strike and its impact on the television industry and creative process.

Read on Substack
Visit Chaotic Good on Substack
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> CONNECT

ping patrick_somerville

For professional inquiries:

Tractor Beam Productions

Los Angeles, CA

echo "Thank you for visiting" > /dev/stdout